Dissolving established concepts means facing the challenge of arranging things in a new way—after all, our museum cannot go without order altogether. The constellations in “Mobile Worlds” stem from a working process. They reflect the peculiarities of the collection, but they also correspond to the aesthetic preferences, political sensitivities and particular interests of the actors involved. In short, these new constellations mark the points where the travel routes of things, people, practices, and ideas intersect.